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Bhutanese textiles represent a rich and complex repository of a unique art form. They are recognised for their abundance of colour, sophistication and variation of patterns, and the intricate dyeing and weaving techniques. The weavers, who are mostly women, must not be seen merely as creator of wealth but also as the innovators and owners of artistic skills developed and nurtured over centuries of time. ==History== The history of Bhutanese textiles becomes more evident in the last century. As textile production moved beyond the confines of clothing to artistic expression of individuals and communities, patronage from the royal household was vital. Although the founders of the Wangchuk dynasty are from Bumthang, their ancestral home is in Lhuentse district,〔(【引用サイトリンク】url=http://en.wikipedia.org/wiki/Bhutan_Textile_Museum )〕 which was historically recognised as the home of the most celebrated weavers in the country. The role and influence of royal women in sustaining and furthering the weaving tradition must be acknowledged. Trongsa penlop Jigme Namgyal built the Wangdichholing palace in 1857 the loom houses (thagchem) accommodating 30 to 40 weavers, were built around the same time near the palace and existed until the mid 1900s. The sister of the second king, Ashi Wangmo, is credited to have introduced the horizontal loom from Tibet in the 1930s. Her Majesty the Queen Ashi Sangay Choedon Wangchuck continuous to extend royal patronage to the textile industry. Her Majesty's interest and intervention have revitalised Bhutanese textiles, given the industry and impetus within the country and brought world attention to Bhutanese textiles. Today Bhutanese textiles have reached new heights of dynamism and respect; they are valued not only for their economic viability, but also as a symbol of Bhutan's artistic heritage that commands world attention and appreciation. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Textiles of Bhutan」の詳細全文を読む スポンサード リンク
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